McKee devotes the final day of his famous “Story” seminar to a six-hour, scene-by-scene analysis of “Casablanca,”which he considers a paragon of excellent writing.
“The last thing I talk about is being and becoming. Permanence and change. The struggle between keeping who you are and changing who you are. And that’s what ‘Casablanca’ is about. And it is possible to have both, if you love in the fullest possible way. If you love, you can have both.”
The New Yorker
Majicman Notes 
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